The Kills - Run Home Slow
- So, on Saturday, this little Blog that Could turns one. All we're asking for for our birthday this year is a Bloggie award (Best Kept Secret, down near the bottom)
, which you can vote for. And it's funny how things come full circle. A bit less than a year ago, I posted some tracks by Discount, a pop-punk band of high school ids from Florida fronted by one Allison Mossheart, who made some great Billy Bragg covers. And now, the Kills have a new album coming out in a few weeks entitled "No Wow". It's a phenomenal album, full of the sexual tension and classic blues wanderlust, a formula that simmers in a pot full of distorted guitar fuzz and drum loops and explodes all in a burst. The lead single, "No Wow" is a potent firebomb that plays up the melodic side that many thought Allison (now V.V. Kills) had forgotten in the duos debut record, Keep on Your Mean Side
. And then, "Run Home Slow" crosses my inbox. It's an unreleased track (That, I'm told will eventually show up as a Japanese B-Side or some such), but it makes the perfect bridge between both Kills records. It has the same repetitive, droney, almost Jesus & Mary Chainesque quality that made the first record such a strange Blues record, but the mix is a bit more friendly, and lyrically, it's a huge step forward. What it loses in energy from other tracks, it makes up for in it's swinging, narrative style. Now if only they would stop pawing at each other on stage. It's so gimmicky.
Andrew Vincent - Paul Revere
- And while we're on a revisiting tip, a few months back, I posted some tracks by Andrew Vincent & The Pirates, a Canadian band that loves Jonathan Richman and the Ramones. Andrew saw the post, and was kind enough to send me his old records. And one of those records, was After School Special
, a concept album about the trials of tribulations of High School Life. After School Special is a phenomenal record. It's mostly Andrew solo and shows a more adventurous side of the singer-songwriter, but the most daring track on there easily, is this cover, of the Beastie Boys epic "Paul Revere" - the king of late night rock radio staples for some reason. Growing up, I would always hear this song as the night drew on and DJ's sensed fewer people listening for some reason. There's something very right about that context, the song isn't particularly long, but it can be exhausting due to it's sheer narrative density, and the lack of repetition. But Andrews cover is something else. There's not a hint of irony in my love for this cover, full of lo-fi keyboards and a nifty little drumloop, and Andrew crooning out those rhymes. For once I can understand why the Sherriffs daughter might let somebody "do it like this," and "do it like that", and "do it with a wiffle ball bat." There's magic here. Andrew told me that Kelp Records doesn't really have the money to do another pressing of the old albums, so to all you industry types out there reading this, I'm going to beg you: pony up the cash to reissue "After School Special" with some wider distribution. The tunes are there. If you put them in record stores and get a little marketing done, the sales will follow. Especially with this cover making the rounds on the airwaves.
Also, apologies for no post yesterday. The Arcade Fire have been in town. I won't post more Arcade Fire because everything I have is in wide circulation. But you shuold all do yourselves a favor and track down their KCRW "Sounds Eclectic" session performance of "Intervention." It's a new song and it rules.